Alarm sound playing
throughout this shot
Camera (hand held) goes through
the front door of the house and follows through the hallway and turns to the
close bedroom door, name of the studio Blue Chair Studios, name of the production company - Spotlight Productions.
Starts to hear alarm clock noise. Camera hand held, moves down close to the floor. Follows the door
opening and into a bedroom, turns to face the bed and lifts up to se 2 pairs of
feet close together. Camera then follows the bodies up and stop when the man’s
arms are around the woman’s stomach and neck is in shot.
Camera then moves to the alarm clock, into a close up of the
clock, the man’s hand then smacks down violently on it, turning the alarm off.
Camera then cuts to the woman’s hand turning on music on a
touch screen devise. Camera cuts to the wall (lamp light turns on) opposite the lamp and on
the right hand side of the screen you see the woman’s back, Lily Saunders appears on screen, and you see the majority of her shadow
on the wall. She has a bare back and puts on one of the man’s shirts. And
swiftly walks away towards a shelf and puts some music on. The man then gets off the bed on her side;
same as before, where you only see the left side of him and you see the
majority of his shadow, Leon Harpley appears on screen. He
stretches out with clenched fists and goes in the opposite direction the woman
went and leaves the room. Morning coffee appears on screen.
Cuts to a shot of the woman in the bathroom looking at the
back of her head then camera then turns round to the right looking at the side
of her face – whilst this is happening she’s pulling off a face mask. Casting
by Rama Ghanem
Cuts to the man in a different bathroom looking at the back
of his head then the camera turns around to the left side of his face – whilst
this is happening he’s putting shaving cream on. Music by David Cousins
Then moves to split screen, the woman’s side comes in from
the right, the camera shots are behind their heads and then follows the 2
characters (who then pass each other to which the other only comes in slight
shot of the others shot). Production design Emma Sherry
The man’s shot then moves away and were just looking at the
woman who is in the kitchen. Close up of the woman’s fingernail scraping against
the work surface, the sound playing over the music, she then taps on the work
surface once, hard, with her nail. Editor Will Simons
On the sound of her nail hitting the work surface the camera
immediately cuts to looking at the man’s back just pulling down his shirt, an
alert tone and vibration from his phone is heard, camera cuts to him picking up
his phone to see a message. It reads ‘is it done yet?’ Director of Photography James
Cousins
Camera cuts to the woman in the kitchen cut a loaf of bread
slightly aggressively, the sound of the bread cutting goes over the music, the
man shows up behind her and puts his arms slowly around her waist. She stops
cutting the bread and turns around to look at him. His hands then reach back
behind her back, looking like he’s grabbing for the knife. Screenplay by Jessica Olson
The camera then cuts to him pushing down the bread in the
toaster, aggressively. The camera quickly cut s cut the pouring of coffee, then
to the toast popping up, the man sipping the coffee, crunching down on the
toast, kissing the woman goodbye, then his hand opening the door and leaving,
the door slamming goes over the music (all close ups). Producer Zoe Ellis
Camera cuts to the woman’s hands holing a coffee cup, the
camera slowly moves up to her face smiling, Director Jessica Olson the
shot slowly goes black, the sound of a mug smashing is heard and then the
camera turns back on and is a birds eye view shot of the woman dead on the
floor.
