Script

Alarm sound playing throughout this shot

Camera (hand held) goes through the front door of the house and follows through the hallway and turns to the close bedroom door, name of the studio Blue Chair Studios, name of the production company -  Spotlight Productions.

Starts to hear alarm clock noise. Camera hand held, moves down close to the floor. Follows the door opening and into a bedroom, turns to face the bed and lifts up to se 2 pairs of feet close together. Camera then follows the bodies up and stop when the man’s arms are around the woman’s stomach and neck is in shot.

Camera then moves to the alarm clock, into a close up of the clock, the man’s hand then smacks down violently on it, turning the alarm off.

Camera then cuts to the woman’s hand turning on music on a touch screen devise. Camera cuts to the wall  (lamp light turns on) opposite the lamp and on the right hand side of the screen you see the woman’s back, Lily Saunders appears on screen, and you see the majority of her shadow on the wall. She has a bare back and puts on one of the man’s shirts. And swiftly walks away towards a shelf and puts some music on.  The man then gets off the bed on her side; same as before, where you only see the left side of him and you see the majority of his shadow, Leon Harpley appears on screen. He stretches out with clenched fists and goes in the opposite direction the woman went and leaves the room. Morning coffee appears on screen.

Cuts to a shot of the woman in the bathroom looking at the back of her head then camera then turns round to the right looking at the side of her face – whilst this is happening she’s pulling off a face mask. Casting by Rama Ghanem

Cuts to the man in a different bathroom looking at the back of his head then the camera turns around to the left side of his face – whilst this is happening he’s putting shaving cream on. Music by David Cousins

Then moves to split screen, the woman’s side comes in from the right, the camera shots are behind their heads and then follows the 2 characters (who then pass each other to which the other only comes in slight shot of the others shot). Production design Emma Sherry

The man’s shot then moves away and were just looking at the woman who is in the kitchen. Close up of the woman’s fingernail scraping against the work surface, the sound playing over the music, she then taps on the work surface once, hard, with her nail. Editor Will Simons

On the sound of her nail hitting the work surface the camera immediately cuts to looking at the man’s back just pulling down his shirt, an alert tone and vibration from his phone is heard, camera cuts to him picking up his phone to see a message. It reads ‘is it done yet?’ Director of Photography James Cousins

Camera cuts to the woman in the kitchen cut a loaf of bread slightly aggressively, the sound of the bread cutting goes over the music, the man shows up behind her and puts his arms slowly around her waist. She stops cutting the bread and turns around to look at him. His hands then reach back behind her back, looking like he’s grabbing for the knife. Screenplay by Jessica Olson

The camera then cuts to him pushing down the bread in the toaster, aggressively. The camera quickly cut s cut the pouring of coffee, then to the toast popping up, the man sipping the coffee, crunching down on the toast, kissing the woman goodbye, then his hand opening the door and leaving, the door slamming goes over the music (all close ups).  Producer Zoe Ellis

Camera cuts to the woman’s hands holing a coffee cup, the camera slowly moves up to her face smiling, Director Jessica Olson the shot slowly goes black, the sound of a mug smashing is heard and then the camera turns back on and is a birds eye view shot of the woman dead on the floor.